He may very well be the biggest, highest-level otaku in the Genshiken, but he’s also somehow the most stylish, most sociable, and most conventionally attractive.
When you’re flying around DCS World in the Weebjet 5000, you don’t get to take yourself seriously, no matter how much money you spent on your flight sim setup.
Obviously, otaku pursuits can be life-encompassing endeavours. The 17 Sustainable Otaku Goals serve to help otaku integrate their passion into a healthy lifestyle, thus avoiding burnout and conflicts both inside and outside the subculture.
It’s very easy, especially in the Western anime community, to portray modern Japanese otaku as bad because their habits seem so different from our own.
Within the anti-otaku sentiment cultivated by the media, there is no room for a portrayal of otaku as politically-active, socially-liberal, and generally not evil.
When we see coverage of otaku from Western fan-media, and especially from Western mainstream media, it almost always has a particular slant to it. They’re portrayed as creepy, lonely, antisocial, often overweight, and always male.
Without the extended internal questioning about otaku identity, nor any immediately visible effort to enforce standards of behaviour or change their image to the outside world, the otaku community invites a lot of skepticism and criticism from the outside looking in.
There’s a very peculiar problem that affects nerds. Many of us are obsessed with approaching media from a critical, analytical, sometimes cynical standpoint, often to feel smarter and impress other nerds.
When otaku get together, however, magical things can happen. Combine plenty of time to develop a talent with the undying passion and drive to see one’s dreams come true and we get things like the Daicon IV animation.
Gearheads with anime girls on their cars, photographers obsessed with anime figures, academics who study anime and anime culture, all kinds of people whose passion for anime transcends anime itself and slips into other hobbies and unrelated parts of life.
It seems natural for products to come in multiple sizes, but dakimakura have the odd distinction of their two primary size options being only 10cm apart from each other.
In a world where being able to merchandise a show can be a determining factor in that show’s fate, it’s counterproductive that so many outspoken anime fans in the West seem disdainful of anime made to appeal to people and sell.
There’s a cycle that plays out in anime fandom that, on the surface, looks benign, and mostly is benign. Despite that, however, there are subtle issues with it that bother me in that it tends to prevent a real discussion from occurring.
It’s surprising how easy it can be to push a false narrative to the level where it becomes accepted by default by many within a population, despite not representing reality.
For what’s portrayed by so many as a wish-fulfillment genre for lonely men, harem anime protagonists seem to have a penchant for choosing some pretty hostile women.
They build an identity around how antisocial they are, making themselves feel superior and absolving themselves of responsibility for being unable to make friends or form and maintain relationships.